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- 2012 Vibrations
- 2016 Resonate
Hubert Brard, Andrew Kizas – Equity and Inclusivity
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- 2012 Vibrations
Greg Frankson – Spoken Word in the Music Classroom
The art of spoken word has been around for millennia but the “slam” version of the art came to prominence through the work of Marc Smith, who believed poets could reach their audiences more effectively if the page was removed as a barrier. In modern spoken word, artists perform their work from memory and engage...
Grade 3 Elementary Unit – Going Green
This unit focuses on a variety of rhythm-based activities using environmental issues as subjects for texts. Through these activities, students are provided with many opportunities to create, perform, listen, reflect and respond. (Critical Learning) lesson-1-drip-drop-splash lesson-2-environmental-rhythms lesson-3-trash-makes-good lesson-4-peaceful-waters lesson-5-trees lesson-6-wacky-weather teacher-resource-1-rain-song teacher-resource-2-found-instrument-making teacher-resource-3-4r-environment-chant teacher-resource-4-rhythm-patterns teacher-resource-5-thumbs-up-self-check teacher-resource-5-thumbs-up-self-check (FRENCH TRANSLATION) teacher-resource-6-tree-name-rhythmic-patterns blm-1-doctor-foster blm-2-drip-drop-checkpoint blm-2-drip-drop-checkpoint (FRENCH TRANSLATION) blm-3-chant-graphic-organizer […]
- 2012 Vibrations
Will Snodgrass – Boomwhackers
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- 2012 Vibrations
Susan Davies – Living the Life, Financial Literacy in the Arts 9-12
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- History
- 2012 Vibrations
Sommer Forrester – Music History in Band Class
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- 2012 Vibrations
Sal Fratia – Tuba Trends Tips and Techniques
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- Stage Band
- 2012 Vibrations
Ryan Meeboer – Beginning Jazz Techniques
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Grade 2 – Elementary Unit We’re Goin’ to Ghana, Grade 2, Music and Social Studies
This unit was created to demonstrate how music activities can be built around and support the existing activities from the “Think Literacy 1-6 Music Companion”. The lessons in this unit have been redesigned using the TIPS template. Please note that this unit makes cross-curricular connections and provides strategies that support ‘Assessment for Learning’ that will […]
- 2012 Vibrations
Robert Gillespie – Conference Handouts
instrpositionandlfskills-w-o-sp-pdf remedial-teaching-bowing-pdf technology-for-string-teaching-copy1-doc...
- 2012 Vibrations
Neil Yorke-Slader – Everything you Wanted to Know About Jazz
everything-you-wanted-to-know-about-jazz...
- Woodwind
- 2012 Vibrations
Michelle Jacot – Woodwind 101
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- 2012 Vibrations
Kelly Demoline – Theory & Ear Training Made Fun: Engaging Students in Individualized Instruction and Assessment
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- Guitar
- 2012 Vibrations
Jordan Atkinson-Hughes – Classic(al) Rock – Balancing Curriculum and “fun” in the I/S Guitar Curriculum
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- Improvisiation
- Stage Band
- 2012 Vibrations
Jim Lewis – Small Group Jazz Rehearsal Techniques
small-group-jazz-rehearsal-techniques-handout...
OMEA resources have been accumulated and developed over several decades. It is important for us to recognize, respond to, and redress any bias or inequity that exists in our resources, and to cultivate and sustain equitable, inclusive, and diverse resources. We recognize the white settler colonial roots of music education in Ontario and are working to ensure that the OMEA resources offer opportunities to affirm, and also learn more about, the diverse identities of educators and learners. We are in the process of examining current and future resources to ensure they are in accordance with our Equity Action Plan.
We honour and value the lived experience and wisdom our membership brings to the OMEA. To create equitable learning spaces where educators, students, and community can learn alongside each other, we recognize this work belongs to all of us. We invite all members to share their insights and suggestions about the resources posted on the OMEA website by contacting resourceeditor@omea.on.ca