Search OMEA Resources
Page 17 of 41
- Strings / Orchestra
AMS/AMO (Grade 12): Awards Show
Strings / Orchestra AMS / AMO Grade 12 Single Lesson Awards Show Students will use the creative process to brainstorm and research a stringed Canadian artist or composer to be nominated for their class’ Orchestra Hall of Fame in the category of lifetime achievement. ams_12M_lsn3_TR1_sample co-constructed checklsit_AwardsShow ams_12M_lsn3_AwardsShow
- Strings / Orchestra
AMS/AMO (Grade 12): Artifacts of a Composer or Performer for Museum of Music
Strings / Orchestra AMS / AMO Grade 12 Single Lesson Artifacts of a Composer or Performer for a Museum of Music Students will use the creative process to gather information and artifacts to have a better understanding of composers, their music, and the society in which they lived. ams_12M_lsn2_BLM2_ArtifactsofaComposerorPerformerforMuseum ams_12M_lsn2_ArtifactsofaComposerorPerformerforaMuseum
- Strings / Orchestra
AMS/AMO (Grade 11): The Post Secondary Music Portfolio
Strings / Orchestra AMS / AMO Grade 11 Single Lesson The Postsecondary Music Portfolio Students research options for postsecondary music studies and create an audition portfolio. Elements of music appropriate for the style are applied to solos, studies, scales, and sight-reading. ams_11M_lsn5_TR2_Advise on the Audition Process ams_11M_lsn5_TR3_How to Help Your students ams_11M_Lsn5_PostsecondaryMusicPortfolio
- Strings / Orchestra
AMS/AMO (Grade 11): Attending a Concert
Strings / Orchestra AMS / AMO Grade 11 Single Lesson Attending a Concert Students attend the concert of a professional musician(s) and write about the performance using specific musical terminology. Acceptable behaviour for specific concert venues is also investigated. ams_11M_lsn4_TR1_Attendingaconcert
- Strings / Orchestra
AMS/AMO (Grade 11): The Fugue
Strings / Orchestra AMS / AMO Grade 11 2 Lesson Unit The Fugue Introduction to Fugues through Performance Analysing a Fugue Students investigate baroque performance practices, equal temperament, and repertoire by applying the stages of the creative process. The critical analysis process is applied when analysing and listening to fugues. ams_11M_lsn2_FuguePerformance ams_11M_lsn3_FugueAnalysis
- Strings / Orchestra
AMS/AMO (Grade 11): String Player Health
Strings / Orchestra AMS / AMO Grade 11 String Player Health Students investigate methods and techniques that promote wellness in string playing. Common string player injuries, proper instrument position, posture, bow hold, and an appropriate warm-up routine are the focus. ams_11M_lsn1_StringPlayerHealth
- Strings / Orchestra
AMS/AMO (Grade 10): Careers in Music
Strings / Orchestra AMS / AMO Grade 10 Careers in Music Students use the creative process to develop a plan to continue music making and appreciating music after secondary school and examine possible career opportunities for string players in their community. ams_10_lsn5_Careers
- Strings / Orchestra
AMS/AMO (Grade 10): Performing, Exploring, and Composing Pentatonic Music
Strings / Orchestra AMS / AMO Grade 10 2 Lesson Unit Performing, Exploring, and Composing Pentatonic Music Performing Music based on a Pentatonic Scale Exploring Pentatonic Music Through Listening Composing using the Pentatonic Scale as a Foundation Students use the creative process to explore, perform, and compose music based on the pentatonic scale. The critical […]
- Strings / Orchestra
AMS/AMO (Grade 10): Performing in Simple and Compound Time
Strings / Orchestra AMS / AMO Grade 10 Performing in Simple and Compound Time Students use the critical analysis process to guide the analysis and comparison of performance repertoire and recorded music in simple and compound time. ams_lsn1_TR1_PerformanceCompoundTimegraphicorganizaer ams_10_lsn1_Performancecompoundsimpletime
- Strings / Orchestra
AMS/AMO (Grade 9): String Instruments of the World
Strings / Orchestra AMS / AMO Grade 9 String Instruments of the World Students will develop an understanding of stringed instruments from cultures and countries that do not belong to the traditional western symphony orchestra. ams_9_lsn5_StringInstrumentsoftheWorld
- Strings / Orchestra
AMS/AMO (Grade 9): Evolution of Stringed Instruments
Strings / Orchestra AMS / AMO Grade 9 Evolution of Stringed Instruments Students will develop an understanding of how traditional stringed instruments (violin/viola/cello/bass) have evolved and how this has changed performance practice and how compositions have progressed throughout the years. ams_9_lsn4_EvolutionofStringed Instruments
- Strings / Orchestra
AMO/AMS (Grade 9): Copyright
Strings / Orchestra AMS / AMO Grade 9 Copyright Students will develop an understanding of how important copyright is to continue the making of quality music in terms of performers, composers, and the music industry. ams_9_lsn1_Copyright ams_lsn1_TR1_Ideasforbeginningstrings
- Strings / Orchestra
AMS/AMO (Grade 9): Commercials and Soundtracks
Strings / Orchestra AMS / AMO Grade 9 Commercials and Soundtracks Students will use the creative process to work through the stages of creating sound effects and music on stringed instruments to accompany commercials and/or film. ams_9_lsn2_CommercialsandSoundtracks
- Strings / Orchestra
AMS/AMO Lesson: Creating Music Using Graphic Notation
Strings / Orchestra AMS / AMO Grade 9 Creating Music Using Graphic Notation Students use the creative process to experiment with sounds and techniques on their instruments. After being introduced to graphic notation they create, notate, and perform a group composition. ams_9_lsn1_Copyright ams_lsn1_TR1_Ideasforbeginningstrings
- Instrumental
AMR Lesson: Understanding Compound Meters through Performance Repertoire
This lessons illustrates how a theory concept can be taught seamlessly through performance repertoire. amr_lsn5_ amr_lsn5_BLM6_Performance Reflection Sample amr_lsn5_TR8_Compound Meters Concept Attainment Resource
OMEA resources have been accumulated and developed over several decades. It is important for us to recognize, respond to, and redress any bias or inequity that exists in our resources, and to cultivate and sustain equitable, inclusive, and diverse resources. We recognize the white settler colonial roots of music education in Ontario and are working to ensure that the OMEA resources offer opportunities to affirm, and also learn more about, the diverse identities of educators and learners. We are in the process of examining current and future resources to ensure they are in accordance with our Equity Action Plan.
We honour and value the lived experience and wisdom our membership brings to the OMEA. To create equitable learning spaces where educators, students, and community can learn alongside each other, we recognize this work belongs to all of us. We invite all members to share their insights and suggestions about the resources posted on the OMEA website by contacting resourceeditor@omea.on.ca