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- Brass
- 2018 Counterpoint
“The Bottom Line”: Low Brass Basics
“The Bottom Line”: Low Brass Basics This workshop provides an opportunity to explore all aspects of low brass development (baritone, euphonium, tuba, in particular) technique, trouble-shooting, recruitment and retention as well as share appropriate repertoire and resources designed to enhance your low brass section in any instrumental band or orchestral program at the intermediate or...
- History
- Inquiry
- 2018 Counterpoint
Social Justice through Music: The Bigger Picture
Social Justice through Music: The Bigger Picture This workshop will explore various social justice/equity issues through music using culturally relevant pedagogy in your intermediate/senior classrooms. Using the critical analysis and critical thinking processes, we will examine various pop/rock/folk song music and lyrics as well as compose/create/perform your own groups original rap. Clinician: Mary Ann Fratia...
- Vocal
- 2018 Counterpoint
A Young Singer’s Journey Part 1 of 2
A Young Singer’s Journey Part 1 of 2 Linda and Eileen will share their secrets for getting children to read and sing in tune. Clinician: Linda Beaupre and Eileen Baldwin Focus: All Location: Wellington Sponsor: Hal Leonard OMEA handout Beaupre Baldwin Hamilton ON 2018...
- Elements of Music
- History
- Inquiry
- 2018 Counterpoint
Sparking Your Brain Power Using Genius Hour: Fostering Creativity and Initiative within Integrated Arts Projects in the Music Classroom
Sparking Your Brain Power Using Genius Hour: Fostering Creativity and Initiative within Integrated Arts Projects in the Music Classroom Ever wonder how to engage all learners in your classroom, allow students to explore, be creative, and be leaders of their learning? This hands-on workshop will introduce the Genius Hour model, explore mini lessons that will...
- Stage Band
- 2018 Counterpoint
Effective Strategies for Teaching Jazz to Beginners
Effective Strategies for Teaching Jazz to Beginners This session will present numerous techniques and materials that are relevant to beginners while being rooted in the jazz tradition. Clinician: Michael Sweeney Focus: I Location: Beckett Sponsor: Hal Leonard Sweeney-Beginning Jazz...
- Strings / Orchestra
- 2018 Counterpoint
“How do I do that Wobbly Shaky Thing?” Vibrato and Shifting for Heterogeneous Elementary String Classes
“How do I do that Wobbly Shaky Thing?” Vibrato and Shifting for Heterogeneous Elementary String Classes Shifting and vibrato are foundational skills that foster artistry in young string students. In this session, string educators will acquire a sequence of instruction from a variety of pedagogical resources, learn how to address common shifting/vibrato challenges, and explore...
- Vocal
- 2018 Counterpoint
Singing Games
Singing Games New singing games to use to assist many concepts. Clinician: Denise Gagne Focus: P/J Location: Webster A Sponsor: Theme and Variations OMEA Singing Games 2018...
- 2018 Counterpoint
Help! I’m Teaching Music en Français!
Help! I’m Teaching Music en Français! Don’t Get Lost in Translation! Examine how to navigate the challenges of teaching the Grade 1-6 music curriculum to French Immersion students. Experience French songs and games, soundscapes, recorder materials and instrumental accompaniments that will integrate French Language learning with rich music experiences. Through these activities, your students will...
- 2018 Counterpoint
Music and Mental Health: How Music Classes Can Support Mental Health and Build Resilience
Music and Mental Health: How Music Classes Can Support Mental Health and Build Resilience How can a dynamic, creative music program support and promote mental health? Resources like Supporting Minds (2013) and the “Caring Adult” initiative will help us find new ways to create “mentally healthy” classrooms. We’ll see how music classes are a natural...
- 2018 Counterpoint
The Oboe: Making it Easier to Teach and Play
The Oboe: Making it Easier to Teach and Play Teaching young oboe students oboe can be difficult. Finding reeds and instruments that work, dealing with the air pressure and awkward fingerings– these are all real problems. But with the right information and support, playing and teaching the oboe can be much easier. In this presentation,...
- 2018 Counterpoint
Singing in Harmony: Scaffolding part-singing at the elementary level
Singing in Harmony: Scaffolding part-singing at the elementary level Harmonic singing with children should start as early as possible. Having a musical sense of where and how to begin this journey sets your students up for beautiful, in-tune singing. This session provides a practical sequenced process that moves singers from simple ostinato patterns to complex...
- Assessment and Evaluation
- 2018 Counterpoint
Teaching Our Students How to Practice: Tips on Preparing Students to Become Active Agents in the Practice Process
Teaching Our Students How to Practice: Tips on Preparing Students to Become Active Agents in the Practice Process As we know, practice outside of the classroom is extremely important when it comes to skill development, facility, fluency, and overall improvement as string players. In order to ensure that our students are making the most of...
- Improvisiation
- Stage Band
- 2018 Counterpoint
Jazz Band Secrets
Jazz Band Secrets Improving Jazz Band Performance Clinician: Gordon Foote Focus: J/i/S Location: Beckett Sponsor: Conn-Selmer Foote_Play It by the Numbers Foote_Rehearsal Techniques for the Jazz Orchestra by Gordon Foote...
- 2018 Counterpoint
Light it Up Blue: Learning from and sharing music with our students who have autism
Light it Up Blue: Learning from and sharing music with our students who have autism Sharing meaningful musical experiences with students with ASD is vital to a healthy school community. This workshop offers a glimpse into Stefanie’s toolkit including lesson plans, pedagogical tools and social approaches to help us all have successful moments with our...
- Elements of Music
- 2018 Counterpoint
Music, Movement, and Math
Music, Movement, and Math The Arts are inherently mathematical. Why not use Music and Dance to think about Math? In this workshop, participants will: become sensitive to “seeing” Math in daily activities; use Music and Dance to develop mathematical understanding and related technological skills that students can apply to their daily lives; learn to provide...
OMEA resources have been accumulated and developed over several decades. It is important for us to recognize, respond to, and redress any bias or inequity that exists in our resources, and to cultivate and sustain equitable, inclusive, and diverse resources. We recognize the white settler colonial roots of music education in Ontario and are working to ensure that the OMEA resources offer opportunities to affirm, and also learn more about, the diverse identities of educators and learners. We are in the process of examining current and future resources to ensure they are in accordance with our Equity Action Plan.
We honour and value the lived experience and wisdom our membership brings to the OMEA. To create equitable learning spaces where educators, students, and community can learn alongside each other, we recognize this work belongs to all of us. We invite all members to share their insights and suggestions about the resources posted on the OMEA website by contacting resourceeditor@omea.on.ca





























